loving to...

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Think about space, escaping, hiding spaces, building a house on a moving object. thriving in departure zones like bus stations and airports. standing still in a dust storm or at the top of Martin Place. waiting watching. think about closing your eyes and imagine running so fast. you breathe fast, start gasping for air and you haven't moved a muscle. lying at the bottom of the pool and looking up through the water. diving. listening to your breath. closing your eyes.







then think about construction/fabrication/make up masks/costumes/houses.







games/ ladders/interiors/superfluous decoration and the definition of O.T.T . and imagine how much you can hide under that distraction, colourful beautiful creative mess.













to view my art please visit www.amandahumphries.com







Wednesday, December 10, 2014

Meeting my new studio space in Fremantle


At PS Art Space in Pakenham St
http://www.psas.com.au

And 2 weeks on it looks like this:


:-) 
Home number 2 sweet home

With an embroidered art print:

Saturday, September 20, 2014

A little art documentation time...


First marks
Second marks
Third
And finally fourth. 
It's been a fun beginning day 1!
Please keep in mind the 3-9th art show at PS Art Space in Freo WA but pretty please book a ticket to see the amazing performances by Remnant Dance at the Australian Premiere of their Dance Film 'meeting places' 6 Nov opening and 8th and 9th November. It is fabulous work by the Perth based collective. 

Tickets are limited and selling fast, so purchase your tickets online now:  

http://events.ticketbooth.com.au/event/MeetingPlaces







Monday, September 8, 2014

Batik and universes


Batik and researching visual representations of universe &
 
A play date with tie dye and indigo ink... Hello wonderful Monday night. (Thinking of useful pieces for the Remnant Dancers) 

Friday, August 22, 2014

Open spaces and paper lace...


Some of my new work in progress - paper cut outs developed from compositions from the dance film 'Meeting Places' filmed in Myanmar in a glass factory in Yangon. (Paper cutting is a traditional art form in Myanmar culture)




Monday, August 11, 2014

a brief interlude with my bookcase...Jenny Holzer, Julie Rrap, Robert Irwin and Anne Lindberg's floating sculptures



I am reading about Jenny Holzer again. I m looking at Robert Irwin again.... and Julie Rrap.

How fantastic to be delving in to a pile of books one sleepless night, curling up with a blanket and being in that place again. To repeat it on a Sunday afternoon, vase of flowers on the window sill, Ólöf Arnalds on the stereo, a cup of home brewed coffee - 2, 3 even, 6 crazy books, a bottle of water, my glasses, a notebook and room lots of room...in my mind, in a little carved out space and time that would otherwise be shared with my love or my real world things. I just read and thought and let it sit. Oh how I miss it. Accidentally finding a space to let things all roll together, and inviting me to imagine and to think in that indulgent nurturing space of creative engagement. The weird thing is that I need to disengage to find that space. Because I have moved cities I am a little anxious to engage in a new community, art make, try and get a business going, so slowly... so slowly. I always push aside this precious time, this life blood.

Another echo from the past... thinking about insides and outsides again. Meeting Places.

Jenny Holzer's 'Green Table' 1992 .... " WITH ALL THE HOLES IN YOU ALREADY THERE'S NO REASON TO DEFINE THE OUTSIDE ENVIRONMENT AS ALIEN" (part of Survival). Jenny Holzer's Green Table is installed on the campus at UCSD where I studied for a year. It is part of the Stuart Collection. 


Another contemporary floating sculpture artist: http://www.annelindberg.com/installations/



When I really was looking for new work by Robert Irwin, (Californian based -San Diego)
His work always inspires and encourages me. I fell into the older pieces though (below) The shadows become more solid than the sculpture itself..., subtlety, referencing the double, looking at perception, transparent sculptures, subtlety, making you pay attention. He was involved with the light and space movement in the USAin the 1960's onwards.... 




  Julie Rrap,  Monument 1 (below)