A continually shifting point of reference....

This phrase is stuck in my head, it rolls around resurfacing and shifting - embodying it's content. I think it may have drawn together some ideas of memory, hidden things, entropy, time grid, glass, ultraviolet, kintsukuroi, holograms and books, empty books, cosmos, infinity, intimacy, and it is so comforting to hear that this phrase, it almost brings it all together, and I have found a little island dot as this continually shifting point of reference upon which I can hold on to and approach this new phase of work and  collaborative adventures and handholding art ventures :-). The note book and words are now flowing with images too. 

...finishing things

...and spending extra time with a painting. This is from last years show with Remnant Dance, it was part of a sequence of 5 similarly composed paintings from the choreographic compositions by Lucinda Coleman and the dancer was the lovely Charity Ng. The pieces were performed in Yangon in April 2015 inspired by collaborative work and film and time in Myanmar. connecting. 

Unwrapping/wrapping/shells/shelter/glass factory and open spaces seeing out from inside the shell/kintsukuroi elements/ Though Myanmar a place that is opening? Borders and boundaries

Almost finished

Detail

One of the glass factory pieces in the series. 

Glass love

It has been happening for a while now, I am holding on to the slightest thread of anything that could make learning to work with glass accessible. 

I am beginning! Small steps with some multiple mould making of carvings I'm making in wax and soon to be slumped and fused (ooh glass language). Will be sure to post my progress in learning this craft.

Some pieces from artists in China: 

Li Wen 'universe' 2011 cast glass, 45 x 8cm

Li Wen 'space/time curve' 2012 cast glass, 53 x 8cm

Sunny Wang 'bubble ladder' 2013 blown clear glass, 27 x 25 cm